Stupid Cupid: The Girl Group Era

Rosemary George, Stupid Cupid


Internationally acclaimed for her work in a variety of genres ranging from the classical to musical theater and jazz, vocalist Rosemary George belts out selections from her new revue, Stupid Cupid: The Girl Group Era.

She is joined by a band of renown’s including: JD Parran (saxophone), Kelvyn “Kelvynator” Bell (guitar), Steve Little (drums), music director Roger Anderson (keyboard) and vocalists Brenda Alexander and Marcus Dargan. Rosemary George performs songs from the 1960’s Girl Group Era made popular by Connie Francis, Lesley Gore, Brenda Lee, Barbara Lewis, The Supremes, et al. From “Break It To Me Gently” and “You’re Mama Don’t Dance,” to “It’s My Party” and “Where The Boys Are”, you’ll hear the logical transition from the Blues and Swing to Rock ’n Roll.


Stupid Cupid: The Girl Group Era is a compilation of songs selected from Rosemary’s revue, The Songs and Dances of the 50’s and 60’s, which premiered in Hong Kong in the beautiful venues of the New Territories, touring through London’s West End (Jermyn Street Theatre) and Covent Garden (Octave Jazz Club), and most recently in New York at Lang Hall, The Stone and Harlem Black Box Theater.

Stupid Cupid Available on CD or Download
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Tour Dates

Edinburgh Festival Fringe, C nova​, London (2014)
Leicester Square Theatre, Main House, London (2013)
Hudson River Museum, New York (2010)
Hunter College Lang Hall, New York (2009)
The Jermyn Street Theatre, London (2008)
Octave Jazz Club in Covent Garden, London (2008)
Sha Tin Town Hall, Yuen Long Theatre, Kwai Tsing Theatre, Hong Kong (2006)
Harlem Black Box Theater, New York (2009)

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  • A Master Class by Rosemary George

    Rosemary George will be launching her first digital, on- line Lecture for the 75th Anniversary of the Edinburgh Fringe Festival 2022. Hiding Behind the Mask: Jesters, Jokers, and Clowns, will be available through C ARTS from 5 August onwards, and at edfringe.com from 4 – 29 August 2022.
    The direct booking link to my lecture is:
    Hiding Behind the Mask is divided into two parts and revolves around the hidden meanings and philosophies from ancient Greek Theatre, commedia dell’arte, film, television, and slapstick. From Japanese Noh Theatre to Western Opera and beyond, the world of drama has discovered a way to hide the realities and truths from themselves, and the world around them. New York Music Professor Rosemary George will uncover the world of hidden identities through the joys
    and sorrows, and the comedy and tragedies of life through the lens of theatrical masks.
  • For A Full Bibliography: